So for February I’ve got the following plays booked up:
9 to 5 The Musical @ Savoy Theatre – the classic comedy film from 80s brought to life as a musical with songs by Dolly Parton, this couldn’t get much camper if it tried!
Berberian Sound Studio @ Donmar Warehouse – probably couldn’t get more of a contrast in film adaptations with Peter Strickland’s darkly comic horror coming to the stage.
Jesus Hopped the A Train @ Young Vic – hoping the combination of the dark comedy set on murderers’ row, written by Stephen Adly Guirgis, will maintain the Young Vic’s impressive new season.
Shipwreck @ Almeida – new play by the tremendous Anne Washburn (Mr Burns will never ever leave me!) and directed by Artistic Director Rupert Goold.
When We Have Sufficiently Tortured Each Other @ National Theatre – the ballot-only production with Cate Blanchett that had sold out is now garnering some terrible reviews! Oh well only one way to find out if this is a turkey is to see it myself.
Gently Down the Stream @ Park Theatre is a new play by Martin Sherman who wrote the award-winning play Bent.
And I’m still yet to get around to book the following:
Nine Night @ Trafalgar Studios – having failed to squeeze this in at the end of last year I’ve got to get to see it before it ends its run on 23 February.
The Son @ Kiln – the UK premiere of the latest play from the prolific and intriguing playwright Florian Zeller (The Mother, The Father, The Truth, The Height of the Storm) – I’ve seen every one produced in London over the last few years.
Pinter 7 @ Harold Pinter Theatre – having seen all but Pinter 4 so far, it would be quite nice to add this one with Martin Freeman and Danny Dyer, but we’ll see.
So a number of friends have asked me to share what I’m booking and what tickets I’m looking to get my hands on.
So in November and December I don’t plan too far ahead to allow for work / client Christmas parties but here is what I’m going to:
The Greater Game @ Waterloo Theatre – this I’m going to with my theatre wife (I’ll explain later) as her plus one. This is my First World War One themed play for November, based around the true story of the Clapton Orient football team who all joined up together to fight in the war. On until 25 November.
Hadestown @ National Theatre – this musical which mixes modern American folk music and New Orleans jazz to become an off-Broadway smash. Musical + classical myth of Orpheus’ decent to the underworld = my sweet spot. On until 26 January
Company @ Gielgud Theatre – this has been a hot ticket for a while, and I do love Sondheim! Booking until 30 March 2019
Forgotten @ Arcola – I was fascinated by this lost story about how 140,00 Chinese came to support Britain and the Allies behind the front lines during World War One. In the run up to the 100 years since Armistice Day, it felt important to keep learning about the history of this time. On until 17 November
I’m also looking at booking :
Honour @ Park Theatre – this was recommended to me and looks to be a gripping play about marriage that is compared to Pinter’s Betrayal and Hare’s Skylight – and that’s sold me. On until 24 November.
King Lear @ Duke of York – yes I know, it’s been on my list for ages to see Sir Ian McKellen in this lauded production and I’m hoping to grab a single ticket for myself before it ends this Saturday 3 November.
OthelloMacbeth @ Lyric Hammersmith – I like the audacity of bringing both plays together, described as “two iconic plays, seven deaths, fourteen characters, one unique evening”. I’ve got to move fast as it also finishes this Saturday 3 November, so this maybe one I miss.